Money Talk: Andrew Simonet on Becoming an Artist

Money Girl Laura Adams: When did you decide that you wanted to become an author (or other career)?

Andrew Simonet: I decided to be a choreographer in September 1988, after my first week of dance class at age nineteen. That’s quite old to start dancing, but male dancers get a lot of leeway. It was sudden and complete. Dance was something I had been searching for without knowing it. Dance was my portal.

Writing showed up in my life at age 35. Specifically, a story showed up, an odd bunch of friends who have to protect themselves and their town from a benignly evil corporation. I dictated dialogue into a tape recorder while driving to my dance teaching job. I wrote scenes in spare moments when I traveled. I lost most of it in a computer crash and assumed I would stop, but the characters wouldn’t leave me alone.

I didn’t decide to become an Author; I decided to write. I wanted to dive into sentences and characters and story. For my own mental health, I am very careful about the difference between wanting to write (generative, expansive) and wanting to have written (paralyzing, stressful). The artist life quickly becomes brutal for those who want to have created.

I worked on that first novel for seven years—it has never been published—while running my dance company. The solitude of writing was a reprieve from the social intensity of dance making and collaboration.

I was interested in writing when I was young, but, seen from the present moment, I was not ready. I wrote clever, bloodless things. I had dreadfully linear things to say, restrained and over-rational. I needed twenty years of making dances to bring my body and senses and all the terrible magic of the present moment into my language.

MG: Do you write full-time? 

AS: N.B.: Over the past fifteen years, I’ve worked with thousands of artists on these questions: intentions, time and money, making the art and impact that matters to you. That project, Artists U, has an open-source book with principles and tools I gathered from artists. It is how I earn half my income, the other half coming from writing.

I don’t care for the term “full-time writer/artist...

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