Jumat, 06 November 2020

A QDT Q&A With Ken Kwapis

Quick and Dirty Tips: Your rap sheet of shows and movies you've directed includes notable episodes and films such as #BlackAF, Sisterhood of the Traveling Pants, The Office, Malcolm in the Middle, and He Said, She Said.  Can you share a few highlights and memorable moments? Would you say any of these movies or films was a gamechanger for your career?

Ken Kwapis: My very first feature film, Sesame Street Presents: Follow That Bird, is the story of Big Bird’s journey of self-discovery. Imagining he’d be happier living with his own kind, Bird decamps for a small town in the Midwest, where he moves in with a foster bird family. He soon realizes how much he misses Sesame Street, where a diverse group of all kinds—humans, monsters, grouches—live in harmony. It’s a message that’s as vital now as it was in 1985, when I directed the film. Why was this film a gamechanger for me? I connected to Big Bird’s emotional journey on a very personal level; in retrospect, I now see that it took an eight-foot bird to teach me that my job as a director was to become a student of human nature.

QDT:  How does your directing style change between movies and TVs and the type of show/movie you're working on (rom-com, comedy, etc)? Do you have to adapt to the genre?

KK: Whether directing comedy or drama, I try to find the humanity in any given scene. Put a different way, when I direct comedic material I look for ways to ground the scene in reality. And when I'm working on a dramatic piece, I look for humor to leaven the drama. There’s always humor hiding in the drama, waiting for a good director to discover.

Working in Hollywood, the biggest lesson I’ve learned is that you need to measure success on your own terms, not Hollywood’s.

QDT: What content (books, movies, essays, etc.) should college-aged and young adults be consuming if they want to work in film or media?

KK: There are so many ways to answer this question. Let me focus on filmmakers who are noteworthy for their understanding of the human condition. I urge you to get acquainted with directors who have a talent for putting truthful human behavior on the screen. There are many to choose from, but you could do a lot worse than luxuriating in the works of William Wyler, John Cassavetes, Yasujiro Ozu, Ernst Lubtisch, Mike Leigh, Max Ophuls, and Akira Kurosawa.

QDT: What has been the most important piece of advice you've ever received or the most important lesson you've learned?  

KK:...

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