When I first moved to Japan, I worked as a researcher for an architect. For two years I walked the city every day, especially its older districts, taking notes. I wrote "The Bells of Old Tokyo" in part because I wanted to understand the things I saw: not just landmarks, but the city’s secret spaces, its hidden histories.
Then a chance meeting with a Japanese physicist, Hashimoto Koji, left me with a question: why does the Japanese language have so many words for ‘time,’ when English has so few? Koji told me that roughly a third of the world’s string theorists were Japanese.
I had vague memories of string theory from popular science magazines; claims that the universe exists not in the three dimensions that we see (plus time, the fourth dimension) but in eleven dimensions.
One dimension is a dot.
Two dimensions is a line, a square, a triangle, a circle.
Three dimensions is a cube, a pyramid, a sphere.
Four is a cube, moving through time. A pyramid, moving through time. A sphere, moving through time.
Five dimensions is…? And what was six? Seven? And on up?
Non-believers said string theorists were crazy, because—if they existed, where were those missing dimensions? And how could you prove they were real? String theorists said the missing dimensions had curled up inside themselves, like fiddlehead ferns, so small no one could see them. Critics said the string theorists might be brilliant, but that when you became a string theorist, you joined a cult that worshiped the invisible. It wasn’t science, it was science fiction.
“Wow,” I said.
“In Japan, string theorists are ordinary,” Koji said, shrugging off my amazement.
“And you study—what? The universe? … Time?”
What, I wondered, was the Japanese word for 'time'? I only knew how to ask about hours on a clock; about minutes and seconds. About weeks, months, years.
At home, I opened a huge old thesaurus that my Japanese teacher loaned me; it had belonged to her father, who had been born in the nineteenth-century. The book thudded open, its old pasteboard endpapers dissolving in my hands, leaving brown dust all over my palms and fingertips.
When I found the section on time, the sheer number of words amazed me. They roosted underneath sections for the Past and the Present and the Future; alit in subsections for Cyclical Time and Approximate Time, and flew off the page after the entries for Irregular Time and Fixed Time.
Some expressions reach backward into ancient Chinese literature:...
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